Cult Classics Album Breakdown 10

Cooza – Our Day (2020)

Isn’t it fascinating how alternative genres of music emerge from standard genres we already know?

Cooza is a masked alt-folk musician from the west side of Liverpool’s River mersey who describes his music as freak folk. Freak folk. I love it, and I totally get it. It shouldn’t fit in. It shouldn’t really appeal, because ‘freak’ lives on the outside, right? The extremities? The borderlands of acceptability and beyond? Yes and no. I mean, who knows anymore? I feel that freak is chic in the roaring 2020’s. And Our Day is definitely chic.

In a world where artists are up against it if they want to make a living from the music industry, more and more independent projects are emerging. You see, when you write, record, master and self-produce your own music, you don’t have to deal with record executives, the unfortunate business of record labels, rip-off merchants and con-artists. You don’t have to have your image crafted to what they prefer. You don’t have to guide your art towards sales and the grip of the commercial jaw. You can do whatever you want, however you want, and use the multiple platforms afforded us in the technological age to reach an audience.

Now, I’m a record man. I like to buy a vinyl or CD copy. Cooza’s Our Day is currently still only available on streaming platforms, but I’m working on it. I’d love nothing more than this album on my vinyl shelf tucked neatly between Joni Mitchell and The Beatles. Hint Hint.

Cooza’s contemporary tones draw inspiration from the likes of Sufjan Stevens, Adrianne Lenker, Bon Iver, Big Thief, Ben Howard and Flatsound, and his poetic lyricism derives from an attraction and preoccupation with the natural world. Other slightly more melancholy soaked themes explore the complexities of love, and the struggle to comprehend post-millenial relations. It’s no coincidence that this talented young songwriter is a Joni Mitchell and later-career Kate Bush fan. The aching and mystery is all there.

The highlights include hypnotic single Wooden Frame, in which the combination of guitar loops and delicately layered vocals bleed beautifully all over the audio waves. You Look Good In It could have been written by David Crosby in 1969 – an absolutely sublime, gentle anaesthetic. I adore the background noises, and the vocals that sound like they’re coming from another room. It’s as indie as it gets.

The fascinating Love Love (Interlude) has Dr John’s Gris Gris stamped all over it, Be My Man a spacious, ethereal lament, and Gentle Into The Good Night (Interlude) such a brain-worm mind-fuck that it could rest perfectly adeptly in a Boris Karloff film.

Henrio, a Spanish master of melody and fellow Liverpool based musician, joins Cooza for Hores De Capvespre in what becomes a lyrically intense, roomy declaration, and quite frankly, I could lie back in a field, eyes closed, and listen to Cut My Hair for just about forever. The album concludes with I Can See New Zealand From Here – not just a concept that raises a smile, but a simply gorgeous, scattered refrain.

When asked about the concept behind Our Day, Cooza had this to say:

“…the whole album is a series of snapshots from a relationship told through the narrative timeframe of a day- starting with waking from a dream full of questions, and ending on going to sleep and falling into a new dream that promises more freedom. ‘Our Day’ is about how you can claim a whole day as your own, forgetting the world exists when you’re with someone you love. It’s about trying to keep the feelings of love from that day alive for however long…” (courtesy of: http://www.gigsoupmusic.com)

And so here is a melting pot of extensive and diverse influences – Cooza is clearly a muso who listens with more than just two ears. The melodies that he crafts are an intriguing mix of melancholy & sunrise & soothing & aching & longing & surprise & grief & hope & green meadows & lemon trees & soul. His voice is unique, and his guitar playing so sparse that it makes the spaces in between do all the work. It’s brilliant.

I love nothing more than to discover a local artist whose music touches me. And it’s no wonder this record has already amassed more than 200,000 Spotify streams.

Listen to the album here: https://open.spotify.com/album/5EpS9xRiHoo93AsV1Y6ShI

★★★★★★★★★☆

9/10

© Joel Saunders

Top track trio:

You Look Good In It

Wooden Frame

I Can See New Zealand From Here


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